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William Hepner

Translator | Writer

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  • The Ballad of Narayama (1958)

    October 9, 2020 - By William Hepner

    As a finely stylized Japanese film of the Jidaigeki genre, a period piece like so many of its samurai brethren, The Ballad of Narayama stands out nonetheless as an early amalgam of the theater and the cinema. It is an artful filming of the eponymous novella by the Japanese writer…

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  • An Autumn Afternoon (1962)

    July 16, 2020 - By William Hepner

    A variant of the earlier Late Spring, which features the hallowed and iconic actress, Setsuko Hara, alongside the mainstay of its director, Chishû Ryû, An Autumn Afternoon still has its own unique claim to individuality, and it is no less moving than its predecessor. If I had to choose between…

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  • Late Spring (1949)

    June 13, 2020 - By William Hepner

    Inaugurating the late period of his creative production, Late Spring bears those hallmarks that were to acquire worldwide renown, the signature of the Japanese master craftsman, Yasujirô Ozu: waist-high static shots above the tatami mat; long takes lingering on the composed resignation of the characters; “pillow shots” as exterior cutaways…

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  • Spirited Away (2001)

    December 31, 2019 - By William Hepner

    As an unprecedented success overtaking Titanic at the Japanese box office and becoming the highest-grossing film in Japanese history, winning worldwide acclaim and the Academy Award for Best Animated Feature, Spirited Away has since solidified its stature as the preeminent Japanese animated film—an amalgam of dreamlike Japanese myth that has…

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Recent Posts

  • 1 month ago The Growth of Virtues
  • 2 months ago A Simple-Minded Complexity
  • 4 months ago The Meaning and the Feeling of Life
  • 6 months ago Temporal Humility
  • 8 months ago On Self-Cruelty: Two Fallacies of Regret

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