The close-set and benign features on the face of the Italian actor Ninetto Davoli seem to incarnate stupidity more completely than in any other actor that I’ve ever seen. It is almost uncanny, the perfect embodiment of a trait not always easy to bring out—and not always gratifying to bring…
A lone waif plies the strand and searches for firewood, pottering with a walking stick until a group of children, running wildly to her, calls her back home as one explains that “there’s a man here. He came on a big motorcycle. He says Rosa is dead.” Returning with the…
The superlative film of the neorealist movement, Bicycle Thieves plays as tragedy. Having endured unemployment and penury, Antonio accepts a job for which he needs a bicycle; he procures the bicycle at the cost of bedsheets, which his wife has sacrificed, amplifying the indignity of their living conditions; and he…
The apex of the Janiculum and the Fontana dell’Acqua Paola constitute the backdrop of the sacred and the profane, which in The Great Beauty concern those inhabitants of the city of Rome. This location of the opening scene has as its precedent the Trevi Fountain, to which the film La…
