Charlie Chaplin, the director of his mid-career film The Circus, was a libertine and a rake. A diminutive ladies’ man, he was having multiple affairs as the film was in production, going through a divorce settlement with his underage wife, and facing back taxes totaling six or seven figures. He…
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Goodbye Solo (2008)
In the exurbs of Winston-Salem, North Carolina, a cabdriver by the cheeky and affable name of Solo, a Senegalese immigrant, picks up a crestfallen old man who asks Solo to drive him to what is known as Blowing Rock, two hours away. Skeptical at first, but affable and bantering, Solo…
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Harakiri (1962)
A glorious, suspenseful film told in flashback, Harakiri delivers a potent and gut-wrenching ethical message that has lost none of its thrust, released though it was more than fifty years ago, and dealing with subject matter dating to the early seventeenth century of the Edo period. It is a samurai…
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An Autumn Afternoon (1962)
A variant of the earlier Late Spring, which features the hallowed and iconic actress, Setsuko Hara, alongside the mainstay of its director, Chishû Ryû, An Autumn Afternoon still has its own unique claim to individuality, and it is no less moving than its predecessor. If I had to choose between…
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Caché (2005)
Caché is one example of a film whose magisterial technical skills vie with the vaguely spurious, implausible substance of the story and its characters. The result is a film that I can admire, without feeling compelled to call it “art”; despite having much that is redeemable, Caché comes up short,…
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In a Lonely Place (1950)
Of the many characters played by the nonpareil Humphrey Bogart, that of In a Lonely Place, Dixon Steele, most hints at the hard-bitten malevolence underlying his shtick as the “tough guy” of the movies, just as it suggests the nature of the man himself and his own tendencies. Humphrey Bogart…
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A Man Escaped (1956)
Taken to the Montluc prison in Lyon, France, a former member of the French Resistance is sentenced to death after a protracted imprisonment. He has hatched plans of escape, and a fellow prisoner by the name of Orsini has tried—and failed—to escape using his own plans. The countdown to his…
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Late Spring (1949)
Inaugurating the late period of his creative production, Late Spring bears those hallmarks that were to acquire worldwide renown, the signature of the Japanese master craftsman, Yasujirô Ozu: waist-high static shots above the tatami mat; long takes lingering on the composed resignation of the characters; “pillow shots” as exterior cutaways…
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The Music Room (1958)
A slow-moving depiction of class decay and the coming of modernity, The Music Room, directed by Satyajit Ray, is as pleasing and substantial a film as those of The Apu Trilogy. It features Chhabi Biswas as an aging nobleman landowner during the last days of a preindustrial culture whose ways…
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Nosferatu the Vampyre (1979)
A fond and evocative re-creation of its forebear as directed by F.W. Murnau, Nosferatu the Vampyre still contains all the hallmarks of its director, Werner Herzog. Like Murnau’s film, Herzog’s is a period piece that shifts between the Transylvanian highlands marauded by the sinister, malicious Count Dracula, and the sleepy…
