Summer with Monika begins with the bustle of the city of Stockholm, where the inlets of the Baltic Sea split up its landmasses into a vast and thriving archipelago. The establishing shots and the exterior cutaways in this film are superb, lending to the atmosphere the lucid and palpable vibrancy of a city already on its way toward international stature, and they inform every aspect of the story...
In a working-class South Yorkshire community whose bread-and-butter economy is coal mining, a boy named Billy goes about his life as a hopeless student, brother, and son, runty and undernourished, neglected and bullied, condemned to a future in the pits like his resentful and abusive brother. As if it were a historical documentary dug up to reveal the cold and lifeless social repercussions of a...
Setting the cinematic standard for an adaptation of a play by William Shakespeare, Franco Zeffirelli’s Romeo and Juliet received accolades aplenty when it was released in the fall of 1968. It seemed to have the hallmarks of a faithful literary adaptation from the beloved Bard, and its setting in modern Italy, using location shooting as a further stamp of authenticity, was to become the backdrop...
On a quiet, snowy winter evening in the city of Dublin, just after the turn of the century, a horse-drawn carriage bearing revelers for the feast day of Epiphany clatters up to a modest, homey townhouse whose upper floors have already begun stirring in the darkness, like a beacon of storms. Lighted lamps stand outside, burning steadily and dotting the long snow-blanketed sidewalks; the high...
In the cinematic hub of Austin, Texas, home to a reputable university, shortly after the turn-of-the-century and the disaster of September 11th, Waking Life plays out its enthralling rotoscope dreamland with what seems like a disordered, chaotic flurry of dialogues. It is all very unremitting—loquacious, academic fuzziness, street-talk and bone-dry theory rattled off as though it were the...
A grizzled, weather-beaten retiree and once a police detective in a hinterland of Nevada, Jerry Black is on the cusp of life-changing events. On the night of his surprise retirement party, his replacement (played by Aaron Eckhart with a clean-shaven, big-chinned impudence) leaves the party on a call—a girl, found in a snowy woodland earlier that day, has been raped and murdered. Unable to resist...
“Rather perish than hate and fear, and twice rather perish than make oneself hated and feared—this must someday become the highest maxim for every single commonwealth too.”–Friedrich Nietzsche, The Wanderer and His Shadow The hypocrisy of the current military strategy of all nations was pointed out by Friedrich Nietzsche as early as 1880, when The Wanderer and His Shadow was published as an...
Its frames a cold, beautiful black-and-white, squaring its aesthetic with the drained and spare post-war environment of the Polish People’s Republic, Ida is a stunningly lucid film. Its story, set in the 1960s, is a variation on the theme of the Holocaust as its shadows lingered over the decades that came after it. With the draining of colors and the crisp static shots that populate the film—many...
Charlie Chaplin, the director of his mid-career film The Circus, was a libertine and a rake. A diminutive ladies’ man, he was having multiple affairs as the film was in production, going through a divorce settlement with his underage wife, and facing back taxes totaling six or seven figures. He was also at odds with the inevitable avalanche of the sound era, which was coming as the (apparent)...
In the exurbs of Winston-Salem, North Carolina, a cabdriver by the cheeky and affable name of Solo, a Senegalese immigrant, picks up a crestfallen old man who asks Solo to drive him to what is known as Blowing Rock, two hours away. Skeptical at first, but affable and bantering, Solo intuits this man might want to kill himself—he’s down in the dumps, visibly depressed, with sweaty tufts of thin...